I’ve been working on a short, experimental film project for the Northwest Film Forum. It is the baby of a great friend of mine, and I am honored to be assistant directing, co-writing, script editing and even acting in a small role. It is called “Dont assume I cook” and it Previews here in Seattle on December 7-9th.
The film is a progression of interviews and dialogs that are loosely thread together with a unifying theme of puppetry and the dreams of women. I won’t lie, its bizarre and goofy but also hilarious.
The coolest part, has been resharpening my technical skills. I spent my youth acting in and directing small plays for school and thespian club, and it has been beyond rewarding to reawaken this artistic Jennie.
The main goal of the project, as established by the NW Film Forum, is to incorporate film with live performance. We have filmed a few segements, but when we present the film to the public, there will also be live performance aspects that have to jive with the film. For example, there are interviews that take place where one character has been filmed ahead of time, and during performance, the interviewer will be live – interacting with the filmed character. This sounds interesting and simple, but simple it is not. The timing has to be perfect. As the assistant director, it became my job to know how long the character being filmed needed to pause – and even more complicated – cue her to alter her expressions and movements even during the pause so it would seem like she was reacting to what the interviewer was saying. In normal conversation, our face and body language reacts to the other persons words, even before it is our time to talk. This is amplified when we are working with Diva personalities who are having aggressive conversations. There were moments where we would need to pause for 20 beats, but on the 8th beat and 15th beat, we needed very specific reactions. I couldn’t actually make any sounds though, since the mic would pick it up and there would be incongruities. Instead, I had to cue her and help goad her along, all without being so intrusive as to break her character. I sat just next to the cameraman (the wonderful <smelling> Nathan M Miller) and use my expressions and cues to guide her along. It was intense and I got really into it.
There is also a puppet segement that is pretty insane. It was probably the most fun part to write and film. Basically, a very simple puppet has developed quite a sudden ego and believes he is a musical genius. He has a peanut gallery of fans who have gathered to watch him perform. The fans are a hodge podge of nic-nacks and toys – as varied as a crab shell, toothbrush heads and ripped and destroyed old dog toys. Out of all of my script editing, it is this genius monologue that I am the most proud of. Tweaking someone elses vision can be problematic, and I am so lucky that Janna allowed me to interject my ideas and word love into her project. My favorite ever line – when the puppet is trying to convince Janna of his geniusness – states that he is going to write an piece for the New York Opera. At the end of an argumentative dialog between the two characters, Janna exlaims exasperatedly “But you don’t even have all of your OUTIES!” Its a tounge in cheek jib at his manhood, as well as a remark on him not having arms or legs. I am not sure if everyone will get it, but it really is comic genius and I am so proud.
The acting portions that I have helped with have been minor in scope, but major in hillarity. My favorite scene, I play the “norwegian sister” of one of the main characters, a dancer, and there is a scene where I am wearing a citrus colored stepford wife style dress of my Aunts from the 60′s. I am pushing around a vintage electrolux vacuum with a dreamy stare – gazing off into space as if this act is the most sensual and satisfying thing I can imagine doing. Its not sexual, mind you, but sensual. Almost like a valiumed out housewife who is just so in love with her vacuum, with her home, with her life. Its dreamy and bizzare and awesome. One thing I really loved too, was that at times I would stop pushing the vaccum all together and just sway my hips back and forth. Very David Lynch – vintage dreamy. So fun.
I look forward to the conclusion of this project and its presentation next month. I just can’t wait to see what we have created.

